The peregrine camera has just been reinstalled on the roof.
Despite the building works going on here we have managed to get the camera up on the roof. With a little ingenuity and the construction skills of a colleague in the Department of Industry the camera has been mounted on a purpose built metal support.
All being well the camera will be live by the end of next week.
Keepsakes Community Arts Project with Women's Arts Association
What would you consider to be a keepsake? What objects are important to you and why? I love to be surrounded by little objects and ornaments that remind me of places I’ve been to and people I know, but I think that my most precious keepsake is a letter and a bracelet made out of crystals given to me by a close friend just before she died. To anyone else this piece of cheap jewellery wouldn’t mean anything, but to me it is imbued with memories and every time I look at it or read the letter I am transported back six years ago to when I first received it.
In St Fagans: National History Museum, as you would expect, we have lots of fascinating objects which all come with their own story. The picture below seems to be merely a bit of wood…
but it’s actually an
‘Elder-tree charm - consisting of an elder branch with the twigs cut to give a cruciform effect. Crosses of this type were thought to be potent against witches and other malevolent influences. Used in a Monmouthshire farm-house during the late 19th century.’
And what about this beautiful sewing box?
Made approximately in 1830 out of rosewood, mother of pearl, silk, paper and leather and used in Garthmyl, Powys it’s as if it has keepsakes within keespakes! The box itself is a beautiful blue, the inside lid (which you can’t see in this picture) is of ruched turquoise silk and it has lots of lovely little compartments filled with treasures such as buttons, needlework samples, bright coloured thread and even a lock of hair which you can see in the bottom left-hand corner.
To explore this idea of the keepsake we have teamed up with Women’s Arts Association to collaborate on a community arts project culminating with an exhibition in Oriel 1 in September 2010. The idea is that participants of the project will visit St Fagans and choose some objects from our collections which resonate with them and use these objects as a starting point to create their own works of art. Ultimately the intention is that the museum object they choose and the piece of work they create will be exhibited side by side.
Leading this exciting project are two experienced tutors and professional artists: Prue Thimbleby and Becky Adams. Prue specialises in basket weaving and sculpture using natural and recycled materials and Becky specialises in book arts and textiles and they could help you make beautiful keepsakes of your own!
Workshops start in May, and for details of those and the rest of the project, please visit www.womensart.co.uk
I’ll blog about the project while it goes along, and meanwhile will leave you with a quote from Sherry Turkle’s book Evocative Objects: Things we think with:
‘We find it familiar to consider objects as useful or aesthetic, as necessities or vain indulgences. We are on less familiar ground when we consider objects as companions to our emotional lives or as provocations to thought. The notion of evocative objects brings together these two less familiar ideas, underscoring the inseparability of thought and feeling in our relationship to things. We think with the objects we love; we love the objects we think with.’
We’d also love to know of any keepsakes you have and treasure - please write any comments below.
Finally the daffs are coming...
This winter has been the coldest in 30 years - so our flowers have opened much later than usual. Our first crocus was recorded in Murch Junior School on the 14th of February and our 1st daffodil also at Murch on the 17th of February.
Since then many more have opened across the country. Study the maps and graphs to find out more. http://www.museumwales.ac.uk/en/1719/
Finally, this week the daffodils in my garden have produced their buds and hopefully should be ready to open soon! They seem a lot shorter than in previous years. We will study the records to see if this is a trend this year.
Allotment Keeper Photography Project
Maybe you've noticed that there's been a bit of work going on at the back of Llainfadyn Cottage recently. Well all that digging is part of photographer Betina Skovbro's fantastic new project where she will be creating an allotment with a bit of a difference!
To follow her progress, have a read of her blog allotmentkeeper.wordpress.com and i'll put a few updates on this blog too.
The Allotment Keeper Photography Project is just one of many events dealing with biodiversity this summer. Check our events pages for more details.
Wales and the History of the World
Presented by rugby lej Eddie Butler, the show presents a refreshing view on what I mentioned in my last post: what makes us, 'us'. You'll see many unusual, interesting and iconic objects from your national collection on display throughout the programme.
Of course, I'm a bit biased but St Teilo's was beautifully shot, and the team was fun to work with. I only wish I'd brought a crate to stand on for my interview, as Mr Butler is a giant! You can see my grinning mug at the 9 minute mark. Hope you enjoy.
It exists, but not according to this...
I was just visiting the St Fagans library, looking to do a little reading up before the Easter tours of St Teilo's Church. A chance encounter and a fleeting chain of thoughts later, I'm here on the blog.
It begins when I bump into a colleague clutching a hefty old book, in the reference section of our research library. Rather cryptically, he tells me "It exists! And it's in here!". Taking the book to one side, he lets it fall open - and rightly it does, on the very page he was looking for.
In my experience, old dictionaries and manuscripts that fall open like that usually contain something very juicy. Finding a page in this way always makes me think of the people who read the book before me. I feel almost as if I am joining a secret club, where generations of readers have sought out and read the same pages carefully. My old art history professor had a story about illuminated Biblical manuscripts, painstakingly drawn and handled by monks. Almost without fail, they will all fall open at the same page: where Bathsheba is described in the bath. Thankfully, I wasn't confronted with anything as lascivious - but certainly something scandalous.
The near-apocryphal entry in the Encyclopaedia Britannica: 'Wales, See England'. I had always thought of it as an idiom, muttered under my breath at Jeremy Clarkson's use of 'us'; defensively invoked on seeing corporate maps which leave out Anglesey, and, most recently, when Google decided to celebrate St David's day by putting one of Kind Edward's castles on their homepage. I suppose it isa lot of history to squeeze into so few words.
That's just my reaction, of course. Debates about Britishness, Welshness, and other -nesses will continue as long as there are people on this island, and in the darker corners of the internet. Whatever your take on the matter, whichever 'ness'-ness you subscribe to, the museum's job is to take a reading every now and then; keep an eye on what makes us, inexplicably, 'us'.
I optimistically dropped by the updated Encyclopaedia Britannica. I was hoping to tie up this post with a point about Wales' growing confidence and international profile using a pithy, concise definition. By now, britannica.com, as it's known, refers to Wales as a 'constituent unit'. I must admit I was disappointed. Over a 150 years since the phrase "Wales: see England" was first published, even as new law-making powers are invested to our Assembly Government: it's strange that 'Country' still does not describe what some people see, when they look at Wales.
Tudor Guided Walk
While you wait (with baited breath, I hope), I'd like to share some new pictures with you.
If you feel inspired after seeing those, why not hop over to the events page to book a place on our Tudor Guided Walk. The walk, lasting around an hour, will take place next weekend, the 20th of March. As well as a tour of our Tudor buildings, you'll get a chance to handle replica objects, and explore Tudor smells - good and bad! Places are limited, so booking is essential.
I hope to see you there!
And as if by magic - it's still not here.
Well, the iPad now has a release date for the US - early April, not mid-March as first expected. It will probably arrive in the UK late April. In the meantime we seem to have exhausted ourselves trying to decide whether or not it's a good thing - let alone a necessary thing. But then not being needed didn't make the iPod or iPhone any less desirable.
Apple's marketing for the iPad has taken a turn for the interesting, as their key words are "revolutionary" - possibly true - and "magical" - what?! Of course it's slick, sexy, a thing of beauty; there might well be something revolutionary about it; but - magical? Now using that concept to describe a piece of digital equipment, that's revolutionary! It's a piece of kit that lets us use our email and the web, look at our pics and videos and play with all our digital toys (150,000 of them apparently). Eventually we'll be able to use it to read e-books.
Previously Apple were promoting the iPad's similarity with the iPhone in terms of functionality, so that we'd all feel at home right away. Now, however, the iPad is revolutionary, magical and value for money. It sounds as though somewhere in the flurry of attention since its announcement, Apple have abandoned the "third category" concept that so many people questionned, and instead are positioning the iPad as a gem of a product, something lovely and affordable and just so much fun. A must-have accessory, perhaps. In which case, where does that leave the e-reading function? It was never primarily an e-book reader, more for all-round media consumption, but publishers were desperately looking forward to the healthy, straightforward supply deal offered by Apple, and any further delay in launching iBook in the UK is surely going to be a major cause for concern.
More 1950s patterns from the artcart
Art Cart - St Davids Day