Investigation of Caerleon Armour: X-radiography
After having managed to break the large soil block up into small enough blocks to get into the x-ray machine, I finally began the task of x-raying the archaeological artefacts.
For this, I had the chance to use the Museum’s newly acquired computerised radiography system. Here, instead of using the traditional wet-plate method requiring film and much time spent in a dark room, we use a phosphor plate which can be used around 1000 times. This plate is read by a scanner, and an image produced within about 45 seconds.
This new system has allowed us to capture so much more detail about the inside of the blocks and the condition of the armour than would ever have been possible using the traditional method. The x-ray records the density of materials at every point, and the software used to view the image allows for manipulation in much the same way as programs like Photoshop: we can zoom into areas of the image, adjust brightness and contrast, apply filters, invert the negative, etc. Thus far all of the features have been x-rayed, and the results have been astounding: I have included copies of the images, complete with annotations. It would appear that a lot more existed beneath the surface excavated than previously supposed.
I had hoped that the x-rays could be used as a guide for further excavation of the features and eventual extraction of the artefacts: however, the condition of the metal inside suggests almost complete mineralization of the iron, and cautions against this course of action. The most that can really happen with these soil blocks now is that they are extensively x-rayed, and stored safely in case of future research.
Aside from highlighting areas of interest on the x-rays, and explaining certain phenomenon, my role as conservator for this project has come to an end. Now, curators, archaeologists and specialists will have to identify objects in the x-rays, marry up these images with the photographic record of my excavation, and begin to tie this information into the narrative of the site overall.
Deconstruction: Blocklifting from the Blocklift
As mentioned in the previous post, the only way to advance the study of this large blocklift was to take x-rays of the excavated ‘features’, in order to get a better idea of the condition of the archaeological metals, and to see if there were objects beneath the ones excavated. For this to happen, the five features had to be separated and lifted in miniature blocklifts.
As readers can see by the first photograph which shows the whole soil block after the completion of micro-excavation, separating features was a difficult task: whilst feature 1 was a discrete item, easily removed from the rest of the block, I had to make certain executive decisions about breaking up the rest of the block. Where possible, I tried to divide the features from each other using the cracks that were already present in the block, or by cutting over and under overlapping features. Inevitably, some damage did occur to the peripheries of features during the lifting process.
The process of blocklifting was remarkably easy: effectively, I blocklifted these features in the same way that they were lifted on site, except that as I was working in a laboratory, I had the opportunity to use conservation-grade materials in a much more controlled environment.
To begin with, I had to stabilise the artefacts in preparation for a process which would jar them quite a lot. I first consolidated the exposed artefacts using a removable adhesive called Paraloid B72, and then added a layer of melted wax, called Cyclododecane, to provide a more intimate support. Handily, this layer will eventually sublime by itself.
I then wrapped features in Clingfilm, to act as a barrier layer between the archaeology and the rigid material I would use hold the block together. For this, I selected polyurethane foam (readers may have come across this whilst completing DIY projects; it is often used as an insulating filler), as it has a very low density, and will not interfere with the attainment of an image of the mineralized iron plate. Polyurethane is prepared by mixing two liquid components together, and could be poured around the covered feature, reaching all nooks and crannies. Walls of plastic card and clay had been built around the feature to enclose the polyurethane.
Once the polyurethane had hardened, I began to pedestal the feature being lifted, before undercutting it. The separated feature could be turned over, and large amounts of extraneous burial deposit removed, which would have otherwise interfered with x-raying the metal artefacts.
I repeated this process until all the features were lifted, and prepared for X-radiography.
Caerleon Armour: Feature 5 and the Shoulder Plate
This blog entry discusses the last area of the large soil block to be micro-excavated; feature ‘5’, located in the middle of the block. The position of the other ‘features’ (F1, F2, F3 and F4) in relation to this central one can be seen in the annotated photograph of feature 5, and plates with two identifiable edges have been outlined in various colours to guide the reader’s interpretation of this area. As with ‘feature 4’, feature 5 encompasses a large cluster of over-lapping iron plate, which have deteriorated significantly. In the centre is what looks like a shoulder plate (judging by the degree of curvature) lying on its side and seen in profile.
The third photograph show the back of the shoulder plate; you can clearly see how neat the corner of this plate is (despite the condition of the metal), and as with a plate in the previous entry, the corner of the plate looks rounded. Excitingly, a copper alloy rivets rests at the plate’s edge. Readers will have noticed that few copper artefacts or armour components have been recovered from the soil block assemblage overall- the armour (at least that which has been partially excavated) was efficiently stripped of copper fittings and pieces prior to deposition.
The fourth photograph illustrates the depth of the archaeology. Additionally, behind the main shoulder plate (outlined in yellow), is what I think is a second plate from the shoulder area of the cuirass (outlined in green). These plates were probably connected to each other in antiquity by the internal leather strapping, and it looks like their relationship has been preserved in the soil. Detecting the shorter edges of the second plate is difficult, as the heavily corroded plate has disappeared into a mass of blended of soil and iron corrosion products.
Beneath the first shoulder plate lies a distinctive plate with a good, clean edge (last photograph- as before, the shoulder plate is outlined using a dashed yellow line). This plate bears lumps of brighter orange corrosion products and given their relative size and positioning, I believe that these protuberances are all that remains of the interior fittings which would have held the leather attachments.
This entry marks the end of the micro-excavation stage of this conservation project: however, a huge amount of work remains to be completed before the contents of this soil block can be fully understood. As I have repeatedly mentioned, only x-rays will be able to provide us with a clearer idea of the exact condition of the iron artefacts, and of unseen objects beneath those excavated. The next stage will be to deconstruct the block into smaller blocks, of a size that will fit in the x-ray machine camber. The easiest way to complete this will be to essentially block lift the separate ‘features’ from the large soil block.
Micro-excavation of Caerleon Armour: Overlapping Plates and Curved Corners
This is a very short entry today, introducing feature ‘4’ of the block- a mass of overlapping plate. It has been difficult in this area to detect the edges of separate plates, and few diagnostic features have appeared. The first two photographs show the ‘feature’ overall (remember that the boundaries of this area are arbitrary constructions), and as in the previous post, I have included annotated and unannotated photographs.
The ‘profile’ of feature 4 can be made out in the third photograph. You can clearly see the burial deposit the lorica is resting on here- a real rubbish layer of soil, stones, bone and tile. This room was clearly neglected long before the dumping of the military items.
The fourth and fifth photographs show areas labelled as ‘1’ and ‘2’ on the overall annotated photograph. These plates are slightly more distinguishable than most in this cluster, and are recognizably plates of a lorica segmentata cuirass. These plates have straight edges, and in the case of plate ‘2’, two parallel edges, which can be measured (this plate is 7.5 cm in width) - these are important dimensions for curators, who can compare these measurements with those of lorica plates from other Roman sites, and work out where on the cuirass they might have come from.
Finally, one of the most interesting artefacts to come out of this feature is the plate shown in the sixth photograph, labelled as ‘3’ on the overall shot. It measures 7 cm in width and has a curved corner- this is great to find, as the corners of lorica plates were slightly rounded for comfort’s sake. Thus far, this is the only plate uncovered in this whole assemblage with this trait.
Continued Excavation of Roman Armour: Problems with Corrosion
This blog entry discusses the third section of the large soil block to be excavated: for ease of identification and documentation I have called this area ‘Feature 3’. This label will be important in the future, after I have deconstructed the block and need to be able to keep track of the position of groups of artefacts within this large assemblage. This instalment discusses a relatively small area of the block, with the main focus resting not so much on the lorica plates present, but on the corroded remains of fittings attached to them.
As here we are chiefly looking at vague shapes, I felt that it was important for this entry to include both annotated and un-annotated versions of photographs, so readers can come to conclusions without my interference. The first photograph is an image of this third part overall, and the second photograph includes arrows and boxes indicating particular areas of interest examined in this entry. The third photograph has been included to give the reader an idea of the depth of the archaeological artefacts, the thickness of the iron plate, and an impression of the poor condition of the remains.
In order to introduce the ‘fittings’, a short note on the corrosion processes that have taken place in these blocks is most definitely necessary. The more I excavate and study this block the more I realise that the different components of the lorica segmentata have corroded in dissimilar ways. The exposed plate has a firm, dark magnetite surface, on top of which are localised areas of powdery, orange corrosion. I believe this second, more disruptive type of corrosion product (an iron oxide), are the remains of iron rivets and fittings.
I think there are two reasons for the fittings to have corroded in a different way to the iron plate: firstly, as a result of being in contact with the leather strap which would have run vertically the length of the inside of the cuirass- the release of acetic acid by the leather could have jumpstarted corrosion. Secondly, the fittings could have corroded more quickly than iron plate, given the greater amount of working and energy required to create there more complicated shapes. The fourth photograph I think illustrates my theory quite clearly: here we are looking at rivets, belonging to two overlapping plates (which could well be in this position because they were neighbouring plates on the cuirass when in use, and at the time of deposition), that have corroded more drastically than the plate. I believe, given their shape and positioning these were rivets and washers holding the leather straps, and we are looking at the interior side of the plate.
Working on the above theory, the fifth photograph shows a detail photograph of the area enclosed within the dashed red box and marked with a ‘1’ on the main annotated overview. I believe this lumpy feature, clearly different in colour and texture to the plate underneath, is again the remains of rivets and washers holding the internal leather straps in place. You can see here how an iron component can corrode in such a way as to increase in physical size: the resulting ‘object’ is larger than the item really was in antiquity.
The sixth and seventh photographs show another area of plate with corroded fittings (and in the corner, a copper alloy rivet).Here we can see a rectangular feature (outlined in the seventh photograph), which I believe is essentially iron corrosion, holding the shape of a now non-existent leather strap.
An x-ray will hopefully provide more information about these ephemeral features, though detecting areas of corroded and degraded material (which will have a low density) on a background of denser archaeological artefacts and burial deposit, could be difficult.
Inspiring our thinking
I have just returned from a very interesting trip to Stockholm, as part of our development of the Making History project at St Fagans. Along with other colleagues from Amgueddfa Cymru, we went over to look at museums that may offer some inspiration for the redevelopment. Our Minister for Housing, Regeneration and Heritage - Huw Lewis - was in Stockholm at the same time, and joined us in looking at some of the museums.
At Skansen Museum we were met by John Brattmyhr (Director) and Kerstin Holm Soderkvist (Learning Officer). We learnt about how they'd gone about trying to seek more corporate sponsorship and also how they've expanded their catering facilities. This is a challenge we face at St Fagans! I was greatly impressed by the scale of the site, and the fact that they have more than 30 staff looking after the programme of events and educational services that are run at the museum.
We then went on to Vasa Museum. It has a huge impact when you see it for the first time, and has an interesting history. It is a ship that sank on its maiden voyage in Stockholm harbour. It displays some of the personal possessions that were recovered as well as some of the skeletons. The way they are displayed allow for more very powerful personal stories to be told. They have even facially reconstructed some of the skeletons, which is particularly striking. To copy with the fact that they receive double their anticipated visitors, a new entrance is being build. A similar challenge once again for us at St Fagans!
From a personal perspective, I was grateful that my vegan diet was catered for without any problem. I thought that the dinner arranged by the British Embassy in an Italian restaurant might have proved particularly difficult but the chef cooked me a lovely vegan dish. I became vegan for health reasons rather than as a conscious decision, but I must admit that I feel so much better for it. And I'm trying some new and interesting dishes as a result!
What a season it's been. Thanks to the presence of the 'Making History 1500-1700' exhibition, we've been able to push the boat out a little bit for our Tudor and Stuart events, aided by a small army (and an actual Regiment) of re-enactors, social historians and volunteers.
We've been visited by pipers, skinners, barber-surgeons, nurses, herbalists, musketeers, pikemen, a Tudor beauty expert, an Elizabethan noblewoman and her maid, timber trebuchet-testers, longbowmen, feasters, revellers, rebels, preachers and even children suffering from plague! Some had never been to St Fagans before, and so I hope we'll see them again. I'm absolutely shattered but delighted to have learned so much during such a busy time of year.
My favourite sessions of the season were 'Tudor Tastes', in which social historians Sally Pointer, Suzanne Churchill and I tried out some bona fide 1500s recipes, on the hearth in Hendre'r Ywydd Uchaf. We ate very well but I must admit I'm glad we didn't get round to cooking the Turnip Pudding this time around.
Close second to our 'Tudor Tastes' session were my foray into sporting history, exploring all sorts of extinct and frankly lethal sport with young people from Wales, Poland, Germany and France. The sessions were simultaneously translated into three languages - having been a linguist in a previous life, I was amazed at how we managed to share so much with each other as a group. Unfortunately, my Welsh wrestling demonstration skills weren't quite up to scratch; but helpfully, the pig's bladder ball gave us plenty to talk about.
There are so many other sessions I'd love to put on my podium - but there's not a lot of time to dwell on them. This afternoon, we prepare to start the whole process again, as we fill the calendar for 2012 and 2013. I've got a few ideas up my sleeve - I'll let you know if they make the grade!
Continued excavation and investigation of blocklifted lorica segmentata
Just a short blog entry today, describing the completed excavation of another area of the soil block, and some of the interesting features that have cropped up.
This section of the block is composed of what appears to be two flat lorica plates, one lying at a 45 degree angle to the other. Note the length of the straight edge of plate; I believe that this plate will be one of the large plates that came across the middle of the cuirass. I have included annotations indicating small areas of potential importance, such as the corroded remains of fittings (see red arrows), which stand proud to the surface of the plates. The gap between the plates, which shows how damaged and broken the edges of the lorica set really are, can be seen in the second picture.
I have found another fragment of plate with a rolled edge (see third photograph), though the roll itself is much narrower in comparison with that exposed within the girth hoop (refer to previous blog entry). The fragment itself is also a little too small to detect any curvature or to easily extrapolate a larger shape, but could this fragment be part of a plate (the breast or backplate) that would have been in contact with the wearer’s neck? All comments and opinions regarding this little hypothesis are welcome.
I have included a macro shot of a small cylindrical item: whilst this may be physically unimpressive, I believe that this could be the iron pin that would have been drawn through a lobate hinge, holding the shoulder plates together.
As mentioned above, obvious fittings that are immediately identifiable still haven’t been found, and careful excavation has only managed to produce vague shapes of what is essentially metal corrosion. I have included in the last photograph a view of an area of probable lorica attachments and fittings, though only a very good quality x-ray will be able to make any sense of these lumpy features.
As a last aside, I thought I should provide a brief explanation for the condition of the buried lorica segmentata. Readers may have noticed how exposed finds lack the thick crusts of rust and voluminous corrosion products typical of a lot of archaeological iron objects: this is most likely because the thin iron plates corroded extremely quickly, with the iron leeching into the soil. Whilst this does mean that I will not have to spend hours removing powdery iron corrosion in order to reach a more certain surface on the iron, it also indicates that the remaining ‘object’ is more of a pseudomorph lying on top of the soil: this is why the ‘plate’ most often does not respond to the pull of a magnet. This level of deterioration will have implications for the eventual conservation treatment of the armour, as I may be unable to extract the iron plates (which have very little physical integrity), from the soil.
Every year we take part in the Big Draw Here are the pictures from this year which took place on the 1st and the 8th October. We made a paper version of St Fagans: National History Museum inspired by Made by Joel, and used some of his images too.
Excavating a Girth Hoop
To the right is an image of the lorica segmentata girth hoop, complete with a copper alloy tie ring, after excavation in the conservation laboratory. The general shape of the hoop, which is lying on its side, can be discerned, and it is obvious that the plate is broken in several places. I had hoped to be able to see how the solid tie ring interacted with the girth hoop, but unfortunately too little of the iron plate remains in a stable enough state to remove enough of the obscuring soil currently supporting it. An x-ray of this area of the block will show the complete shape of the tie ring, and hopefully how it is attached to the plate.
To reiterate, I am excavating the artefacts in this soil block in the same way that archaeologists do in the field, and am coming across the same extraneous stones, silty-soil and common artefacts such as ceramic building material and animal bone contained within the burial deposit that are found on the average archaeological site. As the stones, tile, etc, do underlie so much of the fragile iron plate, I will not remove them at this stage, though I am aware they could be covering more artefacts.
Within the hoop further broken plates can be seen, most notably a flat plate with a rolled edge: this is one of the few plates that can at this early stage be attributed to a specific area of the cuirass; the only plates with rolled edges were the lowest girth hoop above the hip, and the breast and back plates. Given the flat nature of this plate, it is most likely the lowest girth hoop.
To give readers an idea of the depth of the archaeological remains in the soil block, I have included photographs of the back of the girth hoop, as well as a photograph showing the interior. Of interest in the third photograph is part of a plate held to the back of the girth hoop by corrosion and burial products, and how thin the lorica plate with a rolled edge is in the fourth.
Not all artefacts excavated in this area of the soil block can be as easily identified as the plate with the rolled edge; some of the iron has suffered greatly, and only vague shapes in the soil can be distinguished. Removing soil from the surfaces of these mineralized objects has been challenging, as I have to be careful not to take away any burial deposit that might contain corrosion that may be part or all that is left of the archaeological object.
I have not recovered as many fittings, such as buckles, rivets, washers and studs as those found on cuirasses from other Roman sites, and it will be these attachments, and their position on the body armour, that will be very important when trying to work out which plates were breastplates, backplates, shoulderguards, etc. As expected, I have not found many of the valuable copper alloy fittings which could have been removed for re-use during and after the occupation of the fortress by military forces, although I have found possible iron components, harder to spot given the corroded nature of the metal. For example, in the last photograph, the red arrows are pointing towards vague rectangular shapes slightly proud of what is an extremely fragmentary lorica plate; these might be the remains of fittings. Again, only high quality x-radiography will provide us with an image which might allow curators to make an identification of what these deteriorated artefacts are.
The hoop and other items will remain in place until the rest of the block has been excavated, when deconstruction will take place.